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                  <text>An in-progress database of galleries in Paris that exhibited the work of Latin American artists in the 1920s and '30s.</text>
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              <text>&lt;p&gt;Founded by Jadwiga Kon, wife of the Russian artist of Polish descent, Eug&amp;egrave;ne (Eugeniusz) Zak (1884-1926), the Galerie Zak was an important venue for the presentation of Latin American and Polish art. During World War II Jadwiga Kon and her son were taken to Auschwitz where they died in 1944. Although French collaborators liquidated the contents of the gallery in 1941, art dealer Wladimir Raykis, executor of Jadwiga's will, reopened its doors in 1946.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/programs-and-resources/index-of-cubist-art-collectors/zak-galerie"&gt;http://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/programs-and-resources/index-of-cubist-art-collectors/zak-galerie&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;1928 (Dec. 1 - 6): "Quelques peintures r&amp;eacute;centes et retrospective de &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4730"&gt;Torr&amp;egrave;s-Garcia&lt;/a&gt;"&lt;br /&gt;&lt;br /&gt; 1928 (Dec. 1 - 15): &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4425"&gt;Eduardo Abela&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; 1930 (Feb. 18 - Mar. 13): Exposition de peintures de &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4520"&gt;Jos&amp;eacute; Cuneo&lt;/a&gt; et de sculptures de &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4629"&gt;Barnab&amp;eacute; Michelena&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; 1930 (Mar. 14 - Apr.): &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4526"&gt;Juan Del Prete&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; 1930 (Apr. 11 - 24): Premi&amp;egrave;re Exposition du Groupe Latino-Americain de Paris, including; &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4425"&gt;Eduardo Abela&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4453"&gt;Gilberto Bellini&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4467"&gt;Marco Aurelio Bont&amp;aacute; Costa&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4476"&gt;Jorge Caballero&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4519"&gt;Germ&amp;aacute;n Cueto&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4495"&gt;Carlos Alberto Castellanos&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4510"&gt;Gustavo Cochet&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4512"&gt;Jaime Colson&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4549"&gt;Pedro Figari&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4553"&gt;Raquel Forner&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4475"&gt;Horacio Bulter&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4599"&gt;Agust&amp;iacute;n Lazo&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4625"&gt;Carlos M&amp;eacute;rida&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4647"&gt;Jos&amp;eacute; Clemente Orozco&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4667"&gt;Victor Pissarro&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4526"&gt;Juan del Prete&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4694"&gt;Diego Rivera&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4686"&gt;Vicente do Rego Monteiro&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4688"&gt;Manuel Rend&amp;oacute;n Seminario&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4697"&gt;Laura Rodig&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4701"&gt;R&amp;oacute;mulo Rozo&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4730"&gt;Joaqu&amp;iacute;n Torres-Garc&amp;iacute;a&lt;/a&gt;, &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4736"&gt;Lola Vel&amp;aacute;zquez de Cueto&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; 1932 (Jun. 27 - Jul. 10): Troisi&amp;egrave;me Exposition du Groupe Latino-Am&amp;eacute;ricain including; &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4730"&gt;Joaqu&amp;iacute;n Torres-Garc&amp;iacute;a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; 1933 (Apr. 28 - May 12): &lt;a href="http://chnm.gmu.edu/transatlanticencounters/items/show/4656"&gt;Amelia Pelaez&lt;/a&gt;&lt;/p&gt;</text>
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              <text>First group exhibition of Latin-American artists in Paris, Galerie Zak, 1930. Pedro Figari second from left; Manolita, Pedro Daura, and JTG far right. Juan del Prete center.</text>
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              <text>1929 (Feb. 6-19) Tapisseries Mexicaines de Lola Velasquez Cueto, Salle de la Renaissance, 11, rue Royale&lt;br /&gt;1930 (Apr. 11-24 Première exposition du groupe latino-americain de Paris, Galerie Zak</text>
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&lt;p&gt;1924 illustrations for Jean Gravigny. &lt;em&gt;Montmartre en 1925&lt;/em&gt;. Paris, Editions Montaigne, 1924.&lt;/p&gt;&#13;
&lt;p&gt;1925 published Monteiro, Vicente do Rego. &lt;em&gt;Quelques visages de Paris&lt;/em&gt;. Paris, Imprimerie Juan Dura, 1925.&lt;/p&gt;&#13;
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